Here is a walk through on resetting the timecode on the Sony HDCAM deck to match the frame rate on your HDCAM tape.
A few years ago I took a freelance night shift as an assistant editor at production company in North Hollywood. It was a short gig, but overall it was a good learning experience. I utilized about 4 Avids at a time, outputting to DVCAM, BetaSP and Digitbeta. Every once in a while I would freak out because I had a small question about their specific configuration and it was 12 AM. Who wants to get a call from the new guy at 12 AM? Nobody. Going from office to office over the past couple years, it takes a while to get used to everyone’s specific setup. One of the places I work at the most has a great machine room full of great HD equipment. It took me a while to remember tasks like resetting timecode on the Sony HDCAM deck though.
Here is a walk through on resetting the timecode to match your HDCAM tape. (Forgive the iPhone 3G camera resolution)
From complex motion design to 3D work, Jared Moench is dedicated in delivering the perfect blend of form and function for his clients. Jared’s skills range from Motion Graphics, to Visual Effects and 3D work. These effects are created with top end programs such as Adobe After Effects and Cinema 4D.
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