You know what I hate? I hate when I select a clip…
We will be doing a Q&A with Daryl Baskin, whose work can be seen on Star Trek: The Next Generation TV series. Daryl is awesome and is open to questions from all. Send your questions asap via the comment board and we will ask as many as we can. We will post the interview some time next week.
UPDATE: February 25, 2010
I love the clip colors feature in Avid Media Composer. It is so helpful. If you haven’t ever used it to its advantage, check it out.
From the hamburger menu in the bottom left corner of the timeline, select clip color. You have several options. The ones I use the most are HD/SD and offline.
I have this sample project open. It’s an SD project so I changed the settings to 1080 (HD) and then I turn on the HD/SD setting in the clip color. I can now see all of the titles stay one color and the clips become highlighted in yellow.
In the off chance that a DP asks me before he goes off to a shoot what kind of footage I would like, I always answer lots of coverage and points of view that I wouldn’t be able to see with my own eyes. I think this is the difference between a DP that can bring quality to your video and one that can’t. It’s easy to shoot what we can see with our own eyes, but the ones that can find something else, something we don’t see or normally notice, those are the ones I love to work with.
An example I will use is from The Killers new Blu-Ray/DVD from the 2nd track “This is Your Life.” The video is directed by Dick Carruthers, who has a great background of live concert DVDs. It is a fantastic live concert, I’d highly recommend in for your HDTV setup and Blu Ray collection. Some of the shots are a tad fast for me, I end up wanting more. That may be because I’ve been to a couple of The Killers shows though.
This is a couple pieces I have cut all put together into…
Scaling your sequence so you can see the entire project is useful.…
f you are like me, you edit with both Final Cut Pro and Avid. I did learn Final Cut Pro about a year before I started editing on Avid, but now hold Avid a tiny higher than FCP. For what? It all depends. But the one thing I like to keep the same (or close to it) is the keyboard. This makes switching between systems much easier.
One of the best compliments an editor can get (when you already know that the client actually likes your cuts and your workflow) is that you are fast.
This is one tendency that will brings clients back again and again. The more directors and producers start to edit their own material with editing suites coming down in price so much, the less work editors have. One way to let them leave the edits to you is to show them you are going to get their job done faster.
If you are like me, you edit with both Final Cut Pro and Avid. I did learn Final Cut Pro about a year before I started editing on Avid, but now hold Avid a tiny higher than FCP. For what? It all depends. But the one thing I like to keep the same (or close to it) is the keyboard. This makes switching between systems much easier.