Compressor Repair: Still Haven’t Heard of It?

Some people still haven’t heard of one of the most useful programs around for the most problem filled application in Final Cut Studio. Compressor Repair will go into your system, do what it does and either fix your QMaster, tell you if you simply need to re-install Compressor, or whatever it is to get your Compressor application working again.

Here is the link to Digital Rebellion’s application:
https://www.digitalrebellion.com/compressor_repair.htm

Compressor is one huge reason I like Final Cut Studio. I am able to track multiple render times and now with Final Cut Studio 3, I can render out a project while editing another. How fantastic is that?

Saint Cloud Film

One of the affiliates we work with is Saint Cloud Film. Made up of Jared Harris, Cole Webley and Julian Acosta, this group is one of our favorites to work with. They have done a lot of fun, detailed and impressive work. Check out their site at saintcloudfilm.com

One of my favorite spots to watch is directed by Cole Webley. His spot, Kodak “Memories,” was shortlisted at the Young Directors Award at Cannes in 2009.

Changing Timecode / System Frequency on the Sony HDW-F500

Here is a walk through on resetting the timecode on the Sony HDCAM deck to match the frame rate on your HDCAM tape.
The Sony HDW-F500
The Sony HDW-F500

A few years ago I took a freelance night shift as an assistant editor at production company in North Hollywood. It was a short gig, but overall it was a good learning experience. I utilized about 4 Avids at a time, outputting to DVCAM, BetaSP and Digitbeta. Every once in a while I would freak out because I had a small question about their specific configuration and it was 12 AM. Who wants to get a call from the new guy at 12 AM? Nobody. Going from office to office over the past couple years, it takes a while to get used to everyone’s specific setup. One of the places I work at the most has a great machine room full of great HD equipment. It took me a while to remember tasks like resetting timecode on the Sony HDCAM deck though.

Here is a walk through on resetting the timecode to match your HDCAM tape. (Forgive the iPhone 3G camera resolution)

Spring Communications: Basketball

This commercial Bryce edited working with Fifty Films in Salt Lake City for Spring Communications, the client. It was edited, along with three other pieces in this series, in three days in the month of October 2007.
Almost to the tagline!
Almost to the tagline!

This commercial Bryce edited working with Fifty Films in Salt Lake City for Spring Communications, the client. It was edited, along with three other pieces in this series, in three days in the month of October 2007.

No visual effects are present other than some logos painted off of the backboard.

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