Here are my answers to the 5 questions that I read on PostFifthPictures.com. If there are more, just let me know. In some cases I should call the VIZ FX team…but I will give this a shot, first. If you have any questions about my answers, please let me know.
Some people still haven’t heard of one of the most useful programs around for the most problem filled application in Final Cut Studio. Compressor Repair will go into your system, do what it does and either fix your QMaster, tell you if you simply need to re-install Compressor, or whatever it is to get your Compressor application working again.
Compressor is one huge reason I like Final Cut Studio. I am able to track multiple render times and now with Final Cut Studio 3, I can render out a project while editing another. How fantastic is that?
Here is a walk through on resetting the timecode on the Sony HDCAM deck to match the frame rate on your HDCAM tape.
A few years ago I took a freelance night shift as an assistant editor at production company in North Hollywood. It was a short gig, but overall it was a good learning experience. I utilized about 4 Avids at a time, outputting to DVCAM, BetaSP and Digitbeta. Every once in a while I would freak out because I had a small question about their specific configuration and it was 12 AM. Who wants to get a call from the new guy at 12 AM? Nobody. Going from office to office over the past couple years, it takes a while to get used to everyone’s specific setup. One of the places I work at the most has a great machine room full of great HD equipment. It took me a while to remember tasks like resetting timecode on the Sony HDCAM deck though.
Here is a walk through on resetting the timecode to match your HDCAM tape. (Forgive the iPhone 3G camera resolution)
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