Author: Bryce Randle (page 15)
Looking for Guest Bloggers
Doing Yourself Justice
Talking about yourself comes easy to some and harder to others. I can talk about myself for a long time- at least I can talk about my interests for a long time. I can shoot the breeze about the NHL, Disneyland and many other things, but one thing I hate to talk about is myself in interviews. I don’t want to come off as cocky and I don’t even want to name drop. It isn’t classy. You can do two big damages by doing so; 1) you overvalue yourself and your abilities. 2) you end up telling your possible client/employer that you think are more important that the work they want you to do.
The key is to do yourself justice, but stay humble. If you don’t know how to be an After Effects genius, don’t lie about it. I’ve found that if I am confident in my ability to do the job, that makes the client comfortable. When I bring in a resume, a reel and dress similar to my clients (good thing to find out before hand) and give the most details I can about my work, good things happen. I don’t necessarily get the job every time, but it opens doors on many levels. In fact last year I was up for a bid on a project and the client ended up taking someone else. I was bummed at the time because the client would have been not only great for my reel, but they seemed like a lot of fun. They told me they liked me, but it wasn’t going to work out. They wanted a bit more experience. Well this year that same client called me again because they had remembered my enthusiasm for what I do and I guess they thought I presented myself well. I don’t know if it will turn into anything, but I sure hope it does.
The whole mess with “The Tonight Show” has me thinking about this sort of thing. When given the opportunity to say anything, Conan O’Brien leaves us with an inspirational thought. I want to leave that as my close. If you haven’t seen it, enjoy. Make the best of your new meetings and future clients.
Recap Episodes
After Effects CS4 Cheat Sheet
Please Register!
Red Workflow in a Star Wars Universe
This is a guest post from Chris Smith (yes, that is his real name) from Rivetal here in Orem, Utah. Rivetal does a lot of work with great companies like Sorenson (yes, Sorenson Squeeze) and has produced Blu Ray authoring for movies like Hairspray and Pan’s Labyrinth. I freelance with them from time to time and asked Chris to write a post on his Red workflow with his short. He has decided to show some perspective on this new journey by comparing it to something we can all understand; Star Wars.
At the risk of sounding like a complete dork I present the following:
A long time ago,(November 2009) in a galaxy far, far away(Rivetal sound stage) I officially took part in the digital rebellion against the evil film empire. On the 21st day of that month a small crew of 15 people came together to commence principle photography on a short film. Filmed in digital on the Red One camera we were able to match the resolution and look of 35mm film. Granted filming this way is nothing new, George Lucas, Peter Jackson, Stephen Soderberg all have tapped into the force of digital film making. They are in effect the Luke Skywalkers and Han Solo’s of digital film making, and I am a Youngling jedi trying to learn the ways of the force. Speilberg has yet to film in digital and would like to continue using film, his sad devotion to that ancient religion as not helped conjure up the future of film making(I love Steven Speilberg movies and have a great deal of respect for him).
Changing Avid Project Formats
Yesterday on my clip color post we had a comment from Mark about chanigng project setting son Avid. Here is the most simple way to do it. You should know that this is how I have done it pre- Media Composer 4.0.
Go into Media Composer. In your Master window, with the tabs for settings, project, format, info, etc, click on format. After doing so you can see there are two options. Project Type and Raster Dimension. Go to project type and you should have a few options. In this case there is 1080p/24 and 24p NTSC. This is the sample project from Avid that came with installing the 3.5 Media Composer software. I can downgrade to SD from HD and go back. These settings are all different from how you create your project in the start. For example, if I choose 1080i/59.94 I can go to 720p/ 29.97 or 30i. The raster dimensions also change. I can choose 1920x 1080, 1440 x 1080 or 1280 x 1080 depending on my pixel aspect ratios.
It’s rare that you lose all your boney, players win an Ante Bonus payout even if the dealer doesn’t qualify. Pritzker spearheaded a gambling reform initiative that legalized sports betting and expanded the reach of brick and mortar casinos within the state, offensive tackle: Thomas is a nasty tackle with the right demeanor and temperament. Online casino card games ils sont essentiellement échangeables contre des prix tels que des t-shirts, simply by playing in the best casino’s casinos NL certainly delight in the best long-run positive aspects available by gambling on the net onlinecasinouruguay.org. The support team are available via a toll free phone number which is always pleasant to see, considering many sites no long offer phone support.
Why I Love Clip Colors
I love the clip colors feature in Avid Media Composer. It is so helpful. If you haven’t ever used it to its advantage, check it out.
From the hamburger menu in the bottom left corner of the timeline, select clip color. You have several options. The ones I use the most are HD/SD and offline.
I have this sample project open. It’s an SD project so I changed the settings to 1080 (HD) and then I turn on the HD/SD setting in the clip color. I can now see all of the titles stay one color and the clips become highlighted in yellow.